Crammed between the jagged peaks of Candy’s new album Heaven Is Here is a strange, disguised tenderness. The shapeshifting hardcore band tends to all of the mandatory themes of heavy music on its sophomore LP: It paints humanity as a colony of parasites, skewers piety, and takes aim at the rich. But the group’s most interesting songs are the ones that deviate from the sonic and thematic tropes of the genre. With the help of co-producer Arthur Rizk, who has honed records by Power Trip and Pissed Jeans, Candy defile hardcore’s typical structures with elements of industrial techno and noise.